In previous posts we have examined several iterations of the Eucharistic performance within the framework of a postmodern understanding of the inherent instability of the text. Now we turn to a final criticism often raised in opposition to innovations within the spiritual life of the church.
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In our previous post we explored Derrida's concepts of iterability and (un)translatability. In this post we apply the first of these concepts in an examination of iterations of the Eucharistic text.
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In God Without Being, Jean-Luc Marion explores the Eucharistic event as the scene of inbreaking of God's unconditional gift to humanity – a theological site where sign, locutor, and referent all converge in the person of Jesus Christ, the living Word.[1] However, along with the gift Marion includes a conditional that keeps on giving: the bishop as mediator of Christ, or put another way, a human male claiming apostolic succession within a rigidly defined hierarchy who, acting in persona Christi, presides over the Eucharist as the icon of the invisible Christ. But is this the only reading of the Eucharistic
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